In his article ¨Soundscape Composition as Global Music: Electroacoustic Music as Soundscape (Organized Sound 2/13: 103-109) Truax writes: "A nuanced interplay between the global and the local, between the the abstract and the contextual, the shared and the specific, can be much more satisfying...just as the soundscapes can be listened to as if it were music, or at least organized sound, so too can electroacoustic music be listened to as if it were a soundscape, even if an imaginary one (Truax 2008: 108.)